“You spend so much time trying to figure out what your doing, and you become closer to admitting who you are.”
- Jess Sluder
Jess Sluder is an artist and the owner of Deadringer Productions in Venice, California. Jess caught my attention because of his “you can just be weird” attitude towards art, design and life. I recently had the pleasure of interviewing him, and he explained that being “weird” didn’t mean being an outcast or a strange person, but rather that it meant that you can participate in many different social circles. Being an artist makes it easy for him to share ideas with many different types of people, and have opinions about a lot of different things. As an artist he is always learning, thinking and creating. He doesn’t feel bound to a particular sect of society and therefore feels more free and well rounded as person.
“Camera Eyes” Acrylic on canvas.
Jess first started to create art at a very young age. Some of his first memories of creating art are of him telling his mom to teach him how to draw. He had the desire to create and wanted to take what was in his head and make it a real picture. I thought this was very cool because creation should come naturally to the creator, and he is a perfect example of this. Jess had some very insightful advice for aspiring artists when it came to creating art.
“My advice to aspiring artists would be to do what you feel makes you the happiest. Don’t get hung up on what is cool right now. Don’t follow trends. Allow your brain and body to function. Draw what you feel and think. Don’t worry about what other people think because it’s about what you think, and like, and what you know.” -Jess Sluder
“The Matador” Acrylic on canvas.
Some of Jess’s inspiration for his art comes from experiences he has had in his life which resonate with him for a long period of time. Then one day the picture just pops into his head and he paints it.
“My Morning Brush With Death” Acrylic on canvas.
Jess has been living and working in Venice, California for about five years now. Living there has had a tremendous influence on his art. He didn’t even realize he was an artist until he moved to Venice and was really exposed to the art world for the first time in his life. He is constantly surrounded by an extremely creative community consisting of every type of artistic person coupled with every class of person you could imagine. It is almost like living a grown up version of his childhood. He is always having fun, making new friends, riding his bike, playing in the sun, and creating. It is a real positive atmosphere for aspiring artists.
“Swimen n’ Women” Acrylic on canvas.
It has not all been fun for Jess though. Being a full time artist is a struggle. Before Jess started his own Production company he was holding down four jobs and barely making it in the “real world.” If you didn’t know, Venice is a very expensive place to live. For all of you aspiring artists out there; just know that it will be a journey and a struggle to get to where you want to be, but if you stick to the path you will prevail.
“Wolf Pack” Acrylic on canvas.
Although most of Jess’s art is done very meticulously and takes on a cartoony coloring book feel; he prefers to create what he calls “barf art,” which is a sketch or painting that is done on the spot without really thinking about where the painting is going to go. The painting “Beard Guy” is a perfect example of Jess’s “barf art.”
“Beard Guy” Sketched and illustrated.
Deadringer Productions (Deadringer Productions website is currently under development) is Jess Sluder’s brainchild. He started it to continue his creativity and to expand his potential as an artist and designer. Jess works with artists to help them produce their art and see their full potential for their art. He also manufactures apparel for Airblaster, Redbull, R and R art gallery, Michael Jordan Flight School, and BL33N. He also has a line of awesomely funky pillows for sale with his art printed on them. His current goals for Deadringer Productions are to collaborate on more projects and make bigger ideas happen. He enjoys the concept of “I contributed to this, we all together made this.” It is very rewarding when you can create something you’re proud of with other peoples input and ideas.
When the earthquake and tsunami devastated Japan recently, Jess was compelled to help in whatever way he could. He started the Japan Project and began producing and selling shirts which read “I Love Japan.” ALL PROCEEDS BENEFIT THE RED CROSS AND WORLDWIDE DISASTER RELIEF. BUY A SHIRT HERE.
All of Jess’s prints are for sale! Just shoot him an email @ jess@jesssluder.com
Also check out Deadringer Productions on Facebook.
Follow Jess Sluder on Twitter.
Click here to see the location of Deadringer Productions.
Pursue your dreams, work hard, and enjoy success.
You’ve seen his work in over 30 years worth of Hollywood poster designs, and I bet on at least one or two occasions he got you to see a film. Perhaps this happened via sneaking in, begging your parents for money, or doing extra chores to earn your way into the film (if you’re a 20 or 30 something today.)
Drew Struzan is from an era where the poster design was depended on (sometimes solely) to catch your eye and make you see a flick. Before Itunes trailers, YouTube, Moviefone, IMDb, etc… this guy probably made you spend your hard earned bucks seeing such stars as Brooke Shields, John Lithgow, Sean Astin, and Harrison Ford. And, obviously, movies by Steven Spielberg, and George Lucas. Ah memories, right?
Well, as I sat perusing books at a local cafe, I stumbled upon a book containing an amazing collection of this man’s paintings, and a flow of nostalgia (yes, I’m a sucker for nostalgia) swept over me. I suppose I looked somewhat like a middle-aged woman watching Lifetime; gently tearing up and slowly flipping pages, wanting to remember every image I saw. So, I borrowed it, scanned it, and am sharing it with you. Enjoy.
I’m going to admit right now, just to be completely honest…. that I’ve seen quite a bit of pen and ink drawings that are dilapidated, wiggly, and still full of detail. One of the best perks of being a creative, is recording in some way, what’s happening around you, and putting your own twist on it. And let me tell you… there are tons of people who have visual diaries, recording intentionally semi-bad drawings of whatever they see, buy, eat, pet, etc.
Having said all of that, and yes, I am in that afore-mentioned crowd… Seiko Kato, from England’s southern-most tip – called Brighton, is one of the most talented “line-drawers” I’ve seen. (That’s definitely not a technical term.) Her work is full of intentionally placed objects and things, craftfully rendered, and completely eye-catching as well as easy to stare at for a great many moments. Her work reminds me of wonderful artists from the 1960s, like R. Crumb’s sketchbooks, or perhaps even some Peter Max. She also states she is very interested in Victorian Era art, and I noticed a bit of steampunk in her when seeing her 3D montage exhibit in Brighton, UK back in 2008. This post is a bit overwhelmingly scatter-brained, but what I really want to say is: check out this artist, she’s young, multi-talented (as you can see on her website) and her attention to clean detail is tops!
“Forest” by Charles Spitzack
“Here we go…are you ready?”
Mr. Spitzack, I’m not sure the people are ready. In all of the art showcases, galleries and exhibitions I have frequented in my time, rarely have any of those presentations been as aptly named as this one. Unbelievable. At the urging of a friend I checked out many of the venues that participate in the Blitz Capitol Hill Art Walk that takes place on the second Thursday of every month. At one point I wandered into the Burk Gallery and I am very fortunate that I did. The Burk Gallery is currently showing are some truly amazing prints by recent Cornish graduate Charles Spitzack. Admittedly, I am no art aficionado. You won’t get much technical analysis form yours truly. I just know what I like and try to disseminate that adoration accordingly. Spitzack’s woodcut prints are truly mind-blowing. Go to his homepage, check some of the images out. A few of my favorites are “Pushed,” “Ta da,” “New Growth” and “Camelish Person Under the Sun.” I certainly could name many more but in the interest of time I’m going to refrain from doing so. Charles talents are not limited to strictly woodcuts, if you go to his homepage you can check out album art, posters, etchings, monotpyes and lithographs that all bear his signature style.
Don’t walk, sprint to the Burk Gallery and check out the prints for yourself. You don’t have much time. The closing reception is on Saturday, February 26th from Noon to 6pm. If for some reason you can’t make it to the Burk Gallery before the closing reception. You can type the following into the “Calendar” section of your Smartphones:
I hope to see you there.
“Wait until the end of life, and see if I’m a rabbit or a turtle.”
Meet Thierry Guetta – eccentric Frenchman, amateur cameraman, self-proclaimed filmmaker. In his first film ever, renowned graffiti artist Banksy uncovers the intriguing story behind the unlikely transformation of Thierry into Mister Brainwash, intimately capturing the ‘barely legal’ revolution of street art, and how, “In a world with no rules, one man broke them all”. Certain to fascinate everyone from the stick-figure-challenged to professional Picassos and after all the hype at Sundance and with an Oscar nomination for Documentary Feature, you don’t just have to take my word for it.
The line, “It all started from a kindergarten finger painting class” marks the opening page of his website. Well Todd, I think its safe to say you’ve come a long way.
If you ever wanted to smash the shit out of your alarm clock, no longer imagine. Part photographer, part mechanic, Todd McLellan is certain to always bend the norm. Characterized by his versatility, McLellan’s work highlights subjects ranging from cars and motorcycles to unique scenery to advertising material. However his most intriguing and original pieces capture various broken down machines – I know, doesn’t sound very artistic in the traditional sense, but trust me, just check it out.
Wanna see more? Hit up http://www.toddmclellan.com/
Nothing has inspired the eyes and minds more throughout the 20th Century than National Geographic. (Obviously is still is legit today, but my personal favorites to peruse are back issues from the mid-1900s.) Back in the days when the American family didn’t travel abroad and depended on the collection of adventurous photographers, anthropologists, scientists etc to decipher the confusing, tribal, and complicated natural & social world around them. I must admit I’ve dug through many-a-stack of old NGs over the last decade to collect magazines to get illustration inspiration from, and I found this small clean file of great pics at Sara Gossett’s Flickr.
Dark Side Of The Lens, simply put is both cinemetographically and grammatically poetic. Through the eyes of Irish surf photographer Mickey Smith, he translates the world he’s envisioned through the creation of film and his own words. “I see life in angles, in lines of perspective – the slow turn of a head, the blink of an eye, subtle glimpses of magic – other folk might pass by. Cameras help me translate, interpret and understand what I see. It’s a simple act that keeps me grinnin’ “. Immediately emursed in both the aesthetics, depths, and cold; the heavy irish undertones and culture, you become lost in both the twist of words and sea. “For fires of happiness and waves of gratitude. For everything that brought us to that point on earth at that moment in time, to do something worth remembering with a photograph, or a scar -I feel genuinely lucky and hand on heart say I love doing what I do. And I may never be a rich man, or live long enough, then sadly I’ll have a tale or two for the nephews. And I dig the thought of that.”
Check out Mickey Smith and Astray Films’ – Dark Side Of The Lens here, through Coeus Creative.
Los Angeles-based painter Audrey Kawasaki‘s haunting imagery of both sexualized women and lucid imagery of death and lust leaves something categorically in it’s own. Her consistent style of wood-based paintings with oil and graphite gives her art the distinct feeling of the embodiment of nature and humanity. Captivating the audience with fixated eyes and the collaborative efforts of an art nouveau and japanese manga, Audrey’s art has found a place in the souls of thousands. “I paint them [that way] because they are distant, elusive and unattainable, and slip right through your hands,“ explains Kawasaki. Caught between timeless and modern, her artwork is something to be heard about for a long, long time.
For an updated look into the artistic talents of Audrey Kawasaki, check out her blog here.
The man, the myth, the painter…. Ricky Allman. From stoic serene landscapes plunge forth beams of bright light geometry, metallic structures and such futuristic shapes I can’t even fully wrap my mind around what’s he’s got going on. This is what our planet would look like if “2001 A Space Odyssey” merged with a dance club and then the master disc jockey was Mr. Allman himself. I absolutely would not object at all — in fact this art makes me curious about what sort of beats Ricky Allman would mix…If you recognize his art, you might have seen his interview in Juxtapoz Magazine, if not you should head right on over and check it out.
*PS also you could take a cool painting/drawing class from him at University of MO-Kansas City, if you feel so inclined.
